Raphael Weinroth-Browne | Cello Shahriyar Jamshidi | Kamanche
2017
World, Improvisation
“One comes away from this debut awed by how deeply connected the musicians are, and the fact that the album was recorded live with no editing makes the accomplishment all the more impressive. If ever a set of musical performances warranted the word communion, it’s this one.” – Textura “An artistic tour de force […]Read More
Richard Robeson, Shahriyar Jamshidi, Sina Khosravi
November 2016
World, Middle-eastern, Classical, Folk, Trio, Instrumental
Three tracks of the Meet Me in Tangier album are the brief conversation between Guitar, Kamanche and Percussion based on Afro Middle-Eastern themes from Maghreb. “I attended the conference International Society for Improvised Music ISIM in Chateau d’oex, Switzerland and have met Richard Robeson there, he was the executive director of the ISIM. HeRead More
Shahriyar Jamshidi
2014
World
A Yellow Flower (گوڵی زەرد) is the result of Shahriyar Jamshidi’s long-time contemplation of Kurdish culture and poetry. He attempts to create a conversation between Kurdish music, cultural elements and modern life. This album is a collection of classical and contemporary Kurdish poems. He tries to alter recognized rhythms through sequences of non-redundant asymmetric segmentsRead More
Mohsen Badri & Shahriyar Jamshidi
2008
instrumental, World
Prologue: A lonely flame, lit in the blistering cold of loneliness, is the spark of life. Once the darkness of the night takes its toll, nothing is left but the cold pile of ashes of time. In the heart trembling darkness that consumes all, a lonely voyager searches with all the hopes of a manRead More
Yadollah Rahmani, Shahriyar Jamshidi
2004
World, Kurdish, West Asian, Vocal, Traditional, Classical
Alvanati is the significantly collected songs’ of the South of the Kurdistan area Garmian where is located along Zagros mount from Khanaqin in Iraq towards Kermanshah province in Iran. These joint themes are called Alvanati that means the melodies of the Alvan River zone.
